Sol LeWitt - Not Straight Vertical Lines in Ochre

1991

This fabulous Etching with Color Aquatint on Rives BFK paper - is a rich, format-filling impression that exemplifies the dedication of Sol LeWitt to systematic variation, geometric abstraction, and conceptual rigor. 

Hand-signed in pencil by Sol LeWitt in the lower right edge.
Numbered, as well as inscribed " C “, in pencil on the lower left
From a very limited edition of only 30.

This work in ochre and black is part of the six-part (colours) suite "Vertical Lines Not Straight Not Touching on Colour". It showcases LeWitts meticulous exploration of line and form within a monochromatic ochre composition.

The fine, non-touching vertical lines create a mesmerizing texture that enhances the depth and structure of the surface. Splendid, rich impression with delicate etching elements of the format-filling depiction 

Work is professionally framed, in a high-quality, handcrafted dark grey wooden frame with Plexiglas® Optical HC, scratch-resistant and UV-protected, offering a clear, deep view and significantly reduced weight compared to traditional glass. 
Size framed : approx.120 x 90 cm 

Sol LeWitt (1928 2007) was a key figure in Conceptual Art and Minimalism, emphasizing idea over execution. His works, often executed through predefined instructions, challenge the traditional notions of authorship and artistic intervention. This exceptional piece, catalogued as Catalogue Raisonné #1991.12, stands as an important representation of LeWitt s enduring influence in contemporary art 

LeWitts influence can be seen across generations of conceptual and minimal artists, with his works housed in major institutions worldwide, including MoMA, the Tate Modern, and the Centre Pompidou. Framed elegantly in a white wooden frame, this edition captures the essence of LeWitt s artistic philosophy a balance between structure and spontaneity, logic and intuition making it a valuable addition to any collection of contemporary and conceptual art